
The Arthur Awards – the most prestigious and highly anticipated annual awards of the global live music business – take place during ILMC week, with a broad music business audience in attendance.
Housed in a brand-new top-flight venue for 2027, the night sees 600 of the world’s top live music professionals – promoters, agents, venues, festivals, and more – come together as excitement builds, the winners are announced, and the golden statuettes are handed out.
Supported by:

The Arthur Awards began as a tongue-in-cheek affair in 1995 but have grown over three decades to become known as the Oscars of the international live music business.
The finalists in each category are shortlisted from thousands of votes received from fellow live industry professionals from across the globe. Once the shortlist in each category is announced, the winners are selected by an open vote of live music professionals in addition to a closed jury vote.
The evening begins with a champagne reception before the real spectacle begins: a five-star, four-course banquet from the Hilton’s award-winning chefs, complemented by fine wines, all with illustrious company.
As anticipation builds, the spotlight shifts to the Arthur Awards themselves: eleven categories, countless nominees, and only one victor in each. The 2027 Awards will be hosted by The Arthurs’ longstanding host and conductor extraordinaire, Ms Emma Banks.
Tamás Kádár was born and raised in Budapest, Hungary. After high school years spent in Frankfurt, Germany, he studied journalism/communication at the Kodolányi College in Hungary. At age 19 he began working in advertising sales at Radio Bridge. Two years later, he founded his own media agency Berg Média Budapest, which grew into one of Hungary’s largest domestically owned media agencies in the 2000s. He was a co-founder of the radio station EstFM, and later majority owner of Radiocafé 98.6, a key innovator in the Budapest radio market.
In 2011, he became the CEO of Sziget Cultural Management, the company behind Sziget Festival and other events. In his role, he has been responsible for the overall organisational management of the festival’s business operations.
Kádár emphasises festival-experience innovation: under his leadership, Sziget has introduced thematic “quarters” (zones for electronic music, arts, street culture) to diversify beyond headliner concerts and improve the guest experience. He has also publicly addressed industry challenges (rising costs, changing audience behaviours post-Covid) and emphasised independence from state subsidies in the festival’s business model.
We use essential cookies to analyse our traffic. By clicking "Accept All", you consent to our use of cookies.