25 February 2027 | Hilton Park Lane, LONDON
The Arthur Awards – the most prestigious and highly anticipated annual awards of the global live music business – take place during ILMC week, with a broad music business audience in attendance.
Housed in a brand-new top-flight venue for 2027, the night sees 600 of the world’s top live music professionals – promoters, agents, venues, festivals, and more – come together as excitement builds, the winners are announced, and the golden statuettes are handed out.
Supported by:
Three decades of celebrating excellence
The Arthur Awards began as a tongue-in-cheek affair in 1995 but have grown over three decades to become known as the Oscars of the international live music business.
The finalists in each category are shortlisted from thousands of votes received from fellow live industry professionals from across the globe. Once the shortlist in each category is announced, the winners are selected by an open vote of live music professionals in addition to a closed jury vote.
The 'Off the Charts' Gala Dinner
The evening begins with a champagne reception before the real spectacle begins: a five-star, four-course banquet from the Hilton’s award-winning chefs, complemented by fine wines, all with illustrious company.
As anticipation builds, the spotlight shifts to the Arthur Awards themselves: eleven categories, countless nominees, and only one victor in each. The 2027 Awards will be hosted by The Arthurs’ longstanding host and conductor extraordinaire, Ms Emma Banks.
Arthur Award Highlights
Dylan Swann
Digital Content Creator
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Production Resource Group
Dylan is a digital content creator at Production Resource Group, having joined the company in 2024. Using photography, video interviews, and written content, he plays a key role in documenting and promoting PRG’s involvement in live entertainment and major events across the UK and Europe.
Through on-site coverage and interviews with the production teams and crew behind each project, Dylan focuses on telling the stories of the people, processes, and technical expertise that bring large-scale productions to life. His work offers an inside view of PRG’s role within complex, high-profile productions.
Dylan’s portfolio includes photography from Drake’s $ome $pecial $hows 4 UK/EU Tour, Cyndi Lauper’s Girls Just Want to Have Fun Farewell Tour, Lenny Kravitz’s Blue Electric Tour and Busted vs McFly, alongside interviews with the production crews behind Volbeat’s Greatest of All Tours, Teddy Swims’ I’ve Tried Everything but Therapy Tour, the Isle of Wight Festival, Rockstar Energy Presents: Creamfields, and Stage Experience at the Birmingham Alexandra.
By combining considered storytelling with behind-the-scenes access, he has contributed to the continued growth of PRG’s social media presence and strengthened how the company’s work is communicated publicly.
Beyond content creation, Dylan supports PRG’s wider marketing and communications strategy, working closely with EMEA and North America teams to ensure a consistent and unified approach to company messaging.
In recognition of his impact early in his career, Dylan received the Production Futures Breakthrough Talent Award for Social Media Production and Marketing Newcomer of the Year.
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